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Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera

Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera - Afbeelding 2

Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera - Afbeelding 3

Oorspronkelijke prijs was: 349,00 €.Huidige prijs is: 96,99 €.

URSA Mini Pro 4.6K G2 Digital Cinema Camera with Super 35mm 4.6K sensor, 15 stops of dynamic range up to 120 fps or 2K at 300 fps. Includes features such as 3 x ND filters, Blackmagic RAW, USB-C external disk recording and more.

4.6K Super 35 HDR CMOS Sensor
4.6K up to 120 fps, 300 fps at 1080p
15 Stops of Dynamic Range at 3200 ISO
USB-C Expansion Port for External Disks

Artikelnummer: Bl-CINEURSAMUPRO46KG2 Categorieën: Digital Cine Cameras, Video Cameras

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Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera

Name: Ongeëvenaarde Kwaliteit: Het Onberispelijke Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera Beschikbaar bij Beveiligingscamera Winkel uit Almere Nederland.
SKU: Bl-CINEURSAMUPRO46KG2
Price: 96.99 EUR
Availability: InStock

The Blackmagic URSA Mini Pro 12K is Digital Cinema Camera with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!

Built-In ND Filters

The URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the color science of the URSA Mini Pro G2 to maintain consistent image quality with minimal color shift. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by a standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.

External Control Section

Using a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so you’ll be able to adjust camera settings, apply ND filters, and change frame rates without having to look at the buttons, dive into on-screen menus, or take the camera off your shoulder.

User-Interchangeable Lens Mounts

By default, the URSA Mini Pro G2 includes an interchangeable EF mount. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG/EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized.

External LCD Status Display

The status display is a high-visibility black-and-white LCD screen designed to be easily seen even in bright light. The status display shows record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition.

Advanced Image Processing

The URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Color Science for superior imaging that results in extremely accurate skin tones and lifelike colors that rival those of cameras costing tens of thousands of dollars more. Blackmagic RAW images are encoded using a custom nonlinear 12-bit space designed to provide the maximum amount of color data and dynamic range. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the USB-C expansion port.

CFast 2.0 and SD Media Support

Two of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high frame rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot are available, you can keep recording, regardless of format choice.

Compact Handheld Design

Sizing down the original URSA shape enables the URSA Mini Pro G2 to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini Pro G2 still fits essential controls and I/O for professional workflows.

The body is made from magnesium alloys to keep the URSA Mini Pro G2 lightweight at just over five pounds. With the optional shoulder mount and optional side handgrip, the handgrip can be extended off the side of the camera to be used in a doc-style configuration.

4.6K Super 35 Sensor

With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.

The URSA Mini Pro G2 can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro G2 can also record slow-motion footage at up to 300 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro G2 will conform captured footage to the set standard frame rate, resulting in smooth footage that doesn’t require post-processing before editing.

Touchscreen Control

In addition to more traditional button-driven menus and a bevy of external controls, the URSA Mini Pro G2 features a fold-out 4″ capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard.

Professional Connections

The URSA Mini G2 features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode in, and reference input. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on-set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable and switches to 6G-SDI or HD-SDI depending on the shooting format.

Quality Sound Recording

With high-quality built-in microphones and professional audio recording features, you don’t have to carry around extra sound equipment. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.

Multiple Power Options

On its own, the URSA Mini Pro G2 includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. That means it’s easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-mount batteries.

DaVinci Resolve Software Included

Included with the camera is a DaVinci Resolve USB dongle which contains a license to unlock the full feature set within the software. The full version of DaVinci Resolve is compatible with macOS and Windows, and it can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve is designed to handle the 12-bit log raw images from URSA Mini Pro G2, so you can take advantage of URSA Mini Pro G2’s image quality and wide dynamic range. DaVinci Resolve features advanced, multilayer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools

KEY FEATURES

4.6K Super 35 HDR CMOS Sensor
4.6K up to 120 fps, 300 fps at 1080p
15 Stops of Dynamic Range at 3200 ISO
USB-C Expansion Port for External Disks
Blackmagic RAW & ProRes 444/422 Support
Dual CFast 2.0 and SD Memory Card Slots
12G-SDI Output, Timecode and REF Input
2 XLR Audio Inputs with Phantom Power
2-/4-/6-Stop ND Filter, Magnesium Body
Interchangeable Lens Mount

SPECIFICATIONS

Lens Mount	Canon EF
Sensor Resolution	Effective: 11.9 Megapixel (4608 x 2592)
Image Sensor	25.34 x 14.25 mm (Super35) CMOS
Image Stabilization	No
Internal Recording Modes	Blackmagic RAW 12-Bit 4608 x 2592 up to 120 fps 4608 x 1920 up to 150 fps 4096 x 2304 up to 120 fps 3840 x 2160 up to 150 fps 3072 x 2560 up to 120 fps 2048 x 1152 up to 240 fps 2048 x 1080 up to 300 fps 1920 x 1080 up to 300 fps ProRes 422 HQ 4:2:2 10-Bit 4608 x 2592 up to 80 fps 4608 x 1920 up to 120 fps 4096 x 2304 up to 100 fps 4096 x 2160 up to 120 fps 3840 x 2160 up to 120 fps [110 Mb/s] 3072 x 2560 up to 120 fps 2048 x 1152 up to 240 fps 2048 x 1080 up to 240 fps 1920 x 1080p up to 240 fps [27.5 Mb/s] ProRes 4444XQ 4:4:4 12-Bit 4608 x 2592 up to 120 fps 4608 x 1920 up to 150 fps 4096 x 2304 up to 120 fps 4096 x 2160 up to 150 fps 3840 x 2160 up to 60.00 fps [312.5 Mb/s] 3072 x 2560 up to 120 fps 2048 x 1152 up to 240 fps 2048 x 1080 up to 300 fps 1920 x 1080 up to 240 fps [62.5 Mb/s]
External Recording Modes	Raw 12-Bit via USB 4096 x 2592 up to 59.94 fps 3840 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps
Media/Memory Card Slot	Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O	1x BNC (12G-SDI) Input 2x BNC (12G-SDI) Output
Mobile App Compatible	Yes: iPadOS Only App Name: Blackmagic Camera Control Functionality: Remote Control
Operating Temperature	0 to 40°C
PoE Support	Yes
Tripod Mounting Thread	1/4″-20 Female
Accessory Mounting Thread	1x 1/4″-20
Netflix Approved	Yes
Dimensions (W x H x D)	21 x 20.1 x 14.7 cm